Notes

Lot includes the original portfolio box, numbered 17/20, front documents and 12 unframed artworks on paper.

1. Kim Berman, Field near Marikana; etching and drypoint with colour surface-roll; signed, dated 2017, numbered E.V. 17/20 and inscribed with the title in pencil in the margin; plate size: 24,5 by 35cm; sheet size: 29,5 by 42cm, unframed; creasing bottom right corner, otherwise good.
2. Rosalind Cleaver, Hedge; etching, aquatint and collage; signed, numbered 17/20 and inscribed with the title in pencil in the margin; plate size: 29,5 by 20,5cm; sheet size: 41,5 by 31,5cm, unframed; condition good.
3. Marc Edwards, Entopic After Image and Vlakplaas; photo-polymer intaglio and drypoint with hand colouring; signed, dated 2017, numbered 17/20 and inscribed with the title in pencil in the margin; sheet size: 29,5 by 41,5cm, unframed; minor cockling and slight abrasion in top left corner.
4. Bronwen Findlay, Aloe Veld; etching with hand colouring; signed, dated 2017, numbered 17/20 and inscribed with the title in pencil in the margin; plate size: 21 by 29cm; sheet size: 29,5 by 42cm; condition good.
5. Federico Freschi, Joburg Decotroplis I: Astor Mansions, Dunvegan Chambers, Castle Mansions; signed, dated 2017, numbered 17/20 and inscribed with the title in pencil in the margin; mezzotint etching; image size: 20,5 by 29cm; sheet size: 30 by 42cm, unframed; condition good.
6. Gordon Froud, Metatron Over Vereeniging; signed, dated 2017, numbered 17/20 and inscribed with the title in pencil in the margin; digital print with laser-cut lined embossing; image size: 37 by 24,5cm; sheet size: 41,5 by 28,5cm, unframed; slight cockling, otherwise good.
7. Brenden Grey, A Child of a UJ Lecturer; signed, dated ’17, numbered 17/20 and inscribed with the title in pencil in the margin; etching; plate size: 29,5 by 20,5cm; sheet size: 42 by 29,5cm, unframed; very slight cockling, otherwise good.
8. Muziwandile Gigaba, Ibuzwa Kwabaphambili; signed, dated 17, numbered 17/20 and inscribed with the title in pencil; three-colour lino cut; sheet size: 42 by 30cm, unframed; condition good.
9. Inge-Lore Hyson, Untitled, signed with the artist’s initials and dated 2017; hand-made cotton and hemp paper with encased plant forms; sheet size: 39 by 29cm; condition good.
10. Vedant Nanackchand, Laureate’s Legacy; signed dated 2017, numbered 17/20 and inscribed with the title in pencil in the margin; digital print, screenprint with drypoint; image size: 29,5 by 21cm; sheet size: 41,5 by 29,5cm, unframed; very slight cockling, otherwise good.
11. Landi Raubenheimer, Untitled Abstract; signed and dated ’17 on the reverse; hand-made paper with cotton pulp-painting; sheet size: 31 by 38,5cm, unframed; condition good.
12. Minnette Vari, From the series ’The Eleventh Hour’; signed, dated 2017, numbered E.V. 17/20 and inscribed with the title in pencil in the margin; photo-polymer intaglio and hand-colouring; sheet size: 29,5 by 42cm, unframed; condition good.

Provenance

University of Johannesburg, Faculty of Art Design and Architecture