Notes

After WWII a surge of energy and talent emerged in the Johannesburg art community. At the centre of this new vitality that shifted local art production toward a more African sensibility was a group of predominantly new immigrants from Europe, including the Italian-born Edoardo Villa, who chose to make South Africa his home after he was released from the Zonderwater POW camp. As an art student in Italy Villa had been exposed to the great modernist artists of the time, and in South Africa he created a cross cultural synthesis deeply rooted in a particularly African convention, his experience of war and captivity, and the modern architecture and industrialisation of the city of Johannesburg and its surrounds. He produced a prodigious body of extraordinary sculptures in bronze and cut steel over his long career, most notably his monumental public sculptures.

Literature

Karel Nel, Elizabeth Burroughs and Amalie von Maltitz (eds) (2005) Villa at 90, Johannesburg: Jonathan Ball with Shelf Publishing, another casting illustrated in colour on pages 30 and 31.

Chris de Klerk and Gerhard de Kamper (2012) Villa in Bronze, Pretoria: University of Pretoria Museum, another cast from the edition illustrated in colour on page 9 with the title ' The Violin Player'.