Notes

Cecil Skotnes was introduced to Egon Guenther towards the end of 1954, a meeting that proved to be a turning point in the artist’s career. Skotnes recalled, ‘At Guenther’s I saw woodcuts at close range for the first time, and he gave me my first set of tools and showed me how to handle them. I also became acquainted with German Expressionism and the great similarities between it and tribal art, though I had developed a stylistic basis long before I became aware of the importance of the tribal art field.’¹

Skotnes become an integral member of the Amadlozi, a group of artists that Guenther, with his impeccable taste, high standards and knowledge of contemporary art in Europe, recognised as having talent. He encouraged and nurtured these artists, not only by acting as their dealer, but also by initiating animated discussions that challenged and stimulated his protégés.

1. http://archive.cecilskotnes.com/exhibits/show/ collaborations/guenther.

Provenance