November Online Part II
Online-Only Auction, 22 - 29 November 2021
Guest Curator: Sam Nhlengethwa
About the SessionStrauss & Co is pleased to present the guest curator for our November Online Auction, artist Sam Nhlengethwa.
Born in the mining community of Payneville, Springs, south-east of Johannesburg and after studying at the Rorke’s Drift Art Centre in the late 1970s, attended the Johannesburg Art Foundation, established by Bill Ainslie. He taught part-time at FUBA (Federated Union of Black Artists) in Johannesburg and came to national prominence in 1993 with the exhibition Yesterday, Today and Tomorrow, which was put on at the Market Gallery in Johannesburg and the KZNSA Gallery in Durban. Nhlengethwa received the Standard Bank Young Artist Award in 1994 and his award show Homage to Jazz travelled the country over the following year.
Nhlengethwa is best known for his figurative paintings and collage works exploring themes of social and art history, jazz, mining and domestic life, as well as his iconic Goat lithographs and the series of Tributes to other artists printed at The Artists’ Press in White River. His current figurative style post-dates a series of large, bold abstract works following his participation in the Thupelo workshops, founded in 1985 by artists David Koloane and Bill Ainslie. The annual, two-week workshop programme is associated with a flourishing of modernist abstraction among urban black artists.
Nhlengethwa’s work was included in the important exhibition Seven Stories about Modern Art in Africa at the Whitechapel Gallery in London in 1995, the 12th International Cairo Biennale in 2010, and (Re)constructions: Contemporary Art from South Africa in Rio de Janeiro in 2011. The artist was a founding member, with Pat Mautloa and David Koloane, of the Bag Factory Artists’ Studios in Newtown in 1991.
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About this Item
signed and dated 2011 on the reverse
Notes
This work is an assemblage of alphabet beads, smashed computer plastic, stones, bougainvillea twigs and glue in a meranti frame.
‘I am a Dadaist at heart and I have worked with casting things all my life … I do this in the firm belief that that particular accidental/incidental act will lead me to find a great pearl of wisdom … I give myself only one chance, one stab of the finger at an all-encompassing universal truth. In the early seventies, as a student I learnt about Jean Arp and his experiments with the ‘Laws of Chance’. All my life I have experimented with these. Levi Strauss speaks of the contingency of incidence and co-incidence. Cage speaks of aleatoric (throwing the dice) work when he ventures more into the coincidental and Xenakis uses the term stochasitic (guessing/ aiming) for his rationalising of irrational happenstance. I have devoted my life to live in a stochastic/aleatority manner and I have made rather large installations in which I study how randomly deployed objects and experiences may hold the truth. The correct word for such endeavours is ‘divination’ and the practice of divination is older than any record of human existence. [In my book] ‘What every Druid Should Know’, I devote considerable time to how we might manage to decipher our Hamlet from chicken bones, bird droppings and a monkey playing with a typewriter.’
Willem Boshoff, 2011
Provenance
Goodman Gallery, Johannesburg.
Private Collection, Johannesburg.
Exhibited
Goodman Gallery, Johannesburg, Willem Boshoff/SWAT, 18 August to 24 September 2011.