Day Sale: Re/Presentation of the Figure
Timed Online Auction, 4 - 20 March 2024
Re/Presentation of the Figure
About the SessionAll human bodies are shaped, fashioned and deciphered according to the prevailing cultural, social, and political order which inform the notion of the human form within a particular society.
There is an enduring presence of body images in the history of art often with entrenched visual conventions. Figuration is a powerful conceptual thread linking historical, traditional, modernist, and contemporary art in Africa. Since the early 90s the practice of art and how the body is expressed, viewed, and received entered a new paradigm. Artists broke away from 20th century conventions, challenged boundaries and interrogated what it means to be within social, class, racial, sexual and gender paradigms and explored identity within these cultural contexts.
Re/Presentation of the Figure exemplifies this conceptual thread as modern and contemporary artists express the body though painting, sculpture, photography, ceramics, and woven images.
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About this Item
Notes
Talia Ramkilawan is an artist living and working in Cape Town. Ramkilawan’s work aims to address her own lived experience with South African Indian identity and culture. She uses wool to visualise the complexity of one’s relationship to identity and culture.
Ramkilawan studied at Michaelis School of Fine Art, University of Cape Town. The discovery of rug-hooking in her fourth year of university was a breakthrough moment. She immersed herself in this craft and through this medium she was able to create an intimacy and honesty that felt refreshing. She explains, ‘I originally wanted to make very traditional tapestries with a loom, while researching I came across a video on YouTube of someone making a carpet. The technique was called rug-hooking and done with a punch needle. I adapted the technique using a crochet needle, wool and by stretching hessian over a wooden frame. It really was something I had never done before and I am still learning every time I start a new piece – how big can I go, how detailed, what materials I can use?.’
Ramkilawan describes the process of making these textiles as a process of healing and empowerment. Her work explores the intersections and binaries of her lived experience as a queer, Indian woman.
Provenance
Michaelis Silent Auction, Smith Gallery, Cape Town, 5 August 2019.