Day Sale: Re/Presentation of the Figure

Timed Online Auction, 4 - 20 March 2024

Re/Presentation of the Figure
About the Session

All human bodies are shaped, fashioned and deciphered according to the prevailing cultural, social, and political order which inform the notion of the human form within a particular society.

There is an enduring presence of body images in the history of art often with entrenched visual conventions. Figuration is a powerful conceptual thread linking historical, traditional, modernist, and contemporary art in Africa. Since the early 90s the practice of art and how the body is expressed, viewed, and received entered a new paradigm. Artists broke away from 20th century conventions, challenged boundaries and interrogated what it means to be within social, class, racial, sexual and gender paradigms and explored identity within these cultural contexts.

Re/Presentation of the Figure exemplifies this conceptual thread as modern and contemporary artists express the body though painting, sculpture, photography, ceramics, and woven images.


Sold for

ZAR 58 625
Lot 111
  • Albert Adams; Figure with Yellow Hand
  • Albert Adams; Figure with Yellow Hand
  • Albert Adams; Figure with Yellow Hand
  • Albert Adams; Figure with Yellow Hand


Lot Estimate
ZAR 40 000 - 60 000
Selling Price
Incl. Buyer's Premium & VAT
ZAR 58 625

About this Item

South African 1929-2006
Figure with Yellow Hand
oil on canvas
102 by 81,5cm excluding frame; 104 by 84 by 3,5cm including frame

Notes

Albert Adams excelled at school in Cape Town and his artistic abilities were encouraged and supported by his teachers and family. He was denied access to Michaelis School of Fine Art in Cape Town, which was reserved for white students only, so he trained as a teacher and attended part-time art classes at St Peter’s school in District Six with his high school friend Peter Clarke. Adams was active in anti-apartheid student politics until he went to study at the Slade School of Fine Art in London from 1953. After winning a Bavarian State scholarship, he went to Germany to study at the University of Munich and attended summer master classes with Oskar Kokoschka in Salzburg, Austria. One of his most significant works is the triptych South Africa (1959) now in the Johannesburg Art Gallery, which is sometimes likened to Picasso’s Guernica (1937) in its depiction of the horrors of violence and oppression. Adams settled in London after the Sharpeville Massacre in 1960 and in 1979 was appointed to the staff of the City University, London, where he taught for eighteen years.

Provenance

Acquired from the artist by the current owner, circa 1990.

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