Ways of Seeing: South African and International Photography
Live Virtual Auction, 18 September 2024
Ways of Seeing: South African and International Photography
About the SessionWays of Seeing: South African and International Photography showcases a collection of works that take a critical approach to photography, layered with themes of personhood, subjectivity and community.
The sale features works from distinct collections by passionate collectors with a discerning eye and deep engagement with art – featuring The Gary Eisenberg Collection, part of the Linda Givon Collection, works from The Photographic Archival and Preservation Association as well as a group of contemporary African artists who have made a significant mark within the medium of photography including, Zanele Muholi, Mary Sibande, Kudzanai Chiurai, Pieter Hugo and Nandipha Mntambo, among others.
With a title that pays homage to a great thinker, John Berger, Ways of Seeing: South African and International Photography challenges traditional notions of the gaze, inviting us to engage the human experience through images of nude physical forms, intimate portraits, landscapes and depictions of the environment. The sale is a meditation on the ethics of seeing, often fraught with complexity and contestation.
It highlights the diversity within both local and global photographic traditions through an array of works, with significant contributions from African photographers alongside globally renowned artists such as Bill Brandt (British), Nan Goldin (American), Bettina Rheims (French), Sebastião Salgado (Brazilian), Viviane Sassen (Dutch), Wolfgang Tillmans (German), Joel-Peter Witkin (American), André Kertész (Hungarian), Roman Vishniac (Russian-American), and Youssef Nabil (Egyptian).
A significant portion of Ways of Seeing: South African and International Photography is drawn from The Gary Eisenberg Collection following the tragic and untimely passing of Gary earlier this year. This inclusion comes with immense gratitude from Gary’s wife, Dominique Eisenberg.
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About this Item
accompanied by a Stevenson certificate of authenticity, signed, inscribed with the artist's name, dated 2013, numbered 1/9, the title and medium
Notes
“Kin is a bittersweet perspective on Hugo's homeland of South Africa. It is a meditation on the ideals of home, both familial and humanistic. It explores the tenuous ties that both bind us to and repel us from others.
Over the past eight years Hugo has turned his eye on cramped townships, contested farmlands and abandoned mining areas; psychologically charged still lifes in people's homes; sites of political significance; drifters and the homeless; his pregnant wife, and his daughter moments after her birth; the domestic servants who have worked for the Hugo family over three generations. The series alternates between intimate and public spaces, with particular emphasis on the growing disparity between rich and poor, and reveals Hugo's deeply conflicted feelings about his home. It confronts complex issues of colonisation, racial diversity and economic disparity. Kin endeavours to locate his young family in a country with a fraught history and an uncertain future.”1
1. Stevenson, KIN exhibition statement, online, https://archive.stevenson.info/exhibitions/hugo/index_kin.html, accessed 2 August 2024.
Exhibited
Stevenson, Johannesburg, KIN, 3 October to 8 November 2013.
Stevenson, Cape Town, KIN, 17 October to 23 November 2013.
Provenance
Stevenson.
Private Collection.