Notes

George Pemba’s distinct subject matter sets his work apart from that of other South African artists of his era. Stylistically he was inspired by
the Expressionists, with their powerful use of line and colour; uniquely, his pieces were fused with social commentary. He frequently wielded his paintbrush as a tool for protest, highlighting the harsh realities Black communities faced. This is exemplified more literally in powerful works such as Clean Up (lot 125), which confronts societal injustices directly, and later works like Centenary (1970), which reflects his ongoing social advocacy. Additionally, works such as the present lot and Dice Players (lot 124) further reveal a dignity to his subject despite the appalling living and working conditions many were subjected to in local townships. Several of Pemba’s paintings communicate the values of dignity, respect, and kindness.

Helping Hand is a quintessential representation of the artist’s commitment to social commentary through art. The artist often used the bus and train commute as a subject in his paintings, illustrating the daily journey most Black South Africans had to make to their places of employment. In this instance, the old man’s reason for travelling is more likely to get to the hospital or clinic or perhaps to collect a social
grant. The tenderness and kindness physically demonstrated through the conductor’s actions embody the spirit of Ubuntu and enshrine respect for the elderly.