Literature

Bronwyn Law-Viljoen (ed) (2006) William Kentridge: Prints, Johannesburg: David Krut Publishing, another example from the edition illustrated in black and white on page 66.

Notes

"The Ubu Tells the Truth etchings were the starting point for a theatre production Ubu & the Truth Commission (1997). The Sleeper prints were made after the theatre production was completed. I had worked on a series of messy drawings of a naked man, sometimes enclosed by the white Ubu line drawing, trying to get some of the feel of the theatre production in them. With the first set of drypoints I had used a thumbprint and printed the heel of my hand to suggest the flesh texture. With the large drawings one has to pull shape and texture into the drawing on a larger scale. I wheeled a bicycle across the paper, hit it with a charcoal-impregnated silk rope, invited children and cats to walk over it, spattered it freely with pigment. The Sleeper prints used a range of materials and objects placed in soft ground to try to effect the same damage upon the paper."¹

¹ Bronwyn Law-Viljoen (ed) (2006) William Kentridge: Prints, Johannesburg: David Krut Publishing, page 66.

Provenance

David Krut Workshop, Johannesburg.

Private Collection.