Important South African and International Art
Live Auction, 5 June 2017
Evening Sale
Incl. Buyer's Premium & VAT
About this Item
a portfolio of 41 digital photographic prints with accompanying texts by Greg Marinovich and introductions by Sean O'Toole and Karel Nel
each signed, dated, numbered 3/5 and inscribed with their respective titles in pencil
Notes
Greg Marinovich is a highly regarded photojournalist, filmmaker and photo editor who distinguished himself photographing the fatal conflicts that preceded the first democratic elections in 1994. He was awarded the Pulitzer Prize for Spot News Photography in 1991 for a series of photographs of African National Congress supporters murdering a man they suspected of being an Inkatha Freedom Party spy. This portfolio, compiled in association with Strauss & Co's founding director Stephan Welz and printed by Dennis da Silva of Silvertone in 2013, offers a wide-ranging visual history of the internecine conflicts and violent strife that engulfed large parts of this country in the 1990s.
Following the unbanning of 33 political parties and release of political prisoners in 1990, in the protracted lead-up to non-racial elections in 1994, South Africa teetered on the brink. The topography of war in this portfolio includes a cramped Thokoza hostel, a rain-soaked street in Duduza west of Nigel, a Bantustan capital in the Eastern Cape, a rural valley north of Durban, and Shell House in Jeppe Street, Johannesburg. In a 1994 article for Leadership magazine, Marinovich collectively described these places as the "dead zone".1
By his own reckoning, Marinovich covered a dozen massacres during the 1990s, a massacre being an event marked by the indiscriminate and brutal slaughter of many people. Marinovich later discovered a Truth and Reconciliation Commission report that spoke of 122 massacres in the Pretoria, Greater Johannesburg and Vaal Triangle area between 1990 and 1992 alone. 'There is so much that wasn't covered,' he says.2 While Thokoza, a working-class settlement southeast of Johannesburg that was a fulcrum for his best work, may well be a 'forgotten battlefield from a forgotten conflict,' as Marinovich proposes in a caption, his photographs are less sceptical. They offer unflinching witness to the painful becoming of a nation.
1 Greg Marinovich, 'Report from the dead zone', in Leadership, 1994, Vol.13(5), pp.77-80.
2 Interview with Greg Marinovich, 23 January 2014.